Michael Yahl sells pre-threaded pull rods too if wanted to preserve the originals in case you decide to switch it back. There should never be exposed threads within the hole in the changer finger. Just don't over-thread the shortened rods, 3/8" is enough. Sometimes it easiest to cut them at the changer end and re-thread the ends. On some brands you can shorten the rods at the bell crank end, it depends on the mounting style. You'll have to relocate the pedal too of course, and shorten the pull rods to work in the new location. Measure carefully and remount the original A pedal cross shaft in the new C position to the right of the existing pedals. If you decided you wanted to commit to it, it's mostly just a matter of removing and relocating a couple of things and screwing them back down to get your C pedal back. On a typical 3-pedal single neck guitar it's usually a fairly easy task to move things, you just relocate the rods and bell cranks on the 2nd and 3rd pedals to switch their function from B&C to A&B. You could try this out in a non-invasive way by just moving the A&B pedals into the current B&C pedal positions to see if works better for you. Same with keyed guitars that have a 'zero' pedal. Most keyless guitars are set up this way out of necessity, there just ain't no more real estate to the left because of the short key head. I and many other players prefer the pedals a little further to the right, such that the A pedal is roughly aligned with roller nut, perhaps just slightly to the left of the left-knee-left lever. Is this a new guitar to you, or one you've been playing for a while? If it's causing you to contort yourself uncomfortably, you might find that shifting the pedals over one position will make things more comfortable. 6 Kickstand Cycleworks Classic Ding Dong Bicycle Bell. Or I thought another fix would be to move pedals A,B & C & related knee levers towards the changer but really don't want to do that. 4 Trigger Bell - Unique Safer Bike Bell (4th gen) 5 CRANE Bell E-Ne. But I have to think rocking your foot at the ankle is the preferred but maybe not the absolute way. But I have noticed some players just pivot or move their foot when having to depress pedal A only. To help with this I have raised my pedal A so that it is about 1/4" higher than pedal B. I can do this much easier without wearing shoes and more difficult with shoes on. But by rocking your foot at the ankle I have to raise pedal A so that when it is fully depressed, I don't engage pedal B slightly. I always thought that the proper most comfortable position (at least for me, sitting at the 12th-15th fret)) is to have the base of your foot / left leg at a somewhat 11:00 position and not square too (in particular pedals A & B) and if you wanted to depress pedal A only, you rock your foot at the ankle to do that, thus also making it easy to depress A & B simultaneously if need be.
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